I done all photos in Japan, but it is not a story about this country. Although I have used its traditions and religion. And the fact, that for me, it was a completely unknown territory. The main motive is the Shinto, japan mythology (yokai) and way of thinking about the sacred. But Shinto is another cover, artificial dictionary which allowed me to understand what I say. It is in the Japanese relationship to nature, something to give me hope, the conviction that we are part of nature, that we not strayed too far.
Turkish Empire was governing lands from Hungary to Georgia, from Algiers to Eritrea over half of millennium. Its collapse gave countries to the generations which lived under Turkish occupation. These terrains are still suffering from shakes which are echoes of the history. We can find traces of it in the landscape: ruined houses in Bosnia, empty terrains near Kars in eastern Anatolia where millions of Armenians used to live, removed faces of Saints from Serbian, Macedonian, Romanian monasteries, ruins of Trapezunt or Ani. We can read sub consciousness of former Ottoman Empire nations from their landscapes. The more we travel through former Empire of Turks the more we notice the impact of hundreds years of cultural, economical and religious occupation on landscape of todays Bulgaria, Albania or Greece. Genius landscape painter John Constable said: We see nothing truly till we understand it.
The Palace of Culture and Science in Warsaw – less and less a symbol of Stalinist domination, more and more an icon of the city. It evokes strong emotions all the while remaining largely unexplored, and as such a tad alien. At the time of planning, in 1952, the monumental structure was intended to transform the scale of Warsaw cityscape. The skyscrapers that now cluster to the west of the Palace compete with the building. Nonetheless, due to vast and empty parade grounds surrounding it, the Palace towers over Warsaw thus far unthreatened. After the collapse of the Soviet Union, the demolition of the Palace was repeatedly debated, although never seriously considered. In 2007 the building was finally listed.
„Long Before” is an expression of longing for nature and its connection with our ancestors. Nature in Diana Lelonek’s works is extraordinary – tempting and disturbing at the same time. It evokes a stream of contrasting emotions: longing, fascination and anxiety.
The very first thing that I saw in Skopje was the construction of a 25-meter tall figure of a warrior on horseback which, from what I later found out, was the statue of Alexander the Great.
“Push the Sky Away” is a triptych, with each part of the work the consequence of what has gone before, as well as leading on to the next. It is a creative path that has given me an interest in the primeval cultures from which our own cultural codes have grown. As a consequence I attempt to extract an underlying structure, which I believe is unchanging and unchanged. My feeling is that this lies within the tradition of the emotions, rituals, and behavior – elements which are shared in common across all cultures, and to which photography has access.